Tool rare vinyl

There are generic white inners, the PA sign is printed not snickered. Artwork and lyrics pictured on both sides. If you are lucky you will find one with the big fat lady art card. Black Promo -Housed in a die cut black sleeve. Housed in black sleeve. Catalog : 1 Pressing A 1 st Pressing 17 Sept — The vinyl labels are significantly different as well.

Catalog : 1 — Pressing B 2 nd Pressing 17 Sept — Release has printed labels, although very faint look at photos below. Release has four black labeled sides, other than the runoutgrooves there are no side indications. Side A ends in a locked groove. Its barcode is larger and has a VERY faint catalog number on the bottom of the spine it may be hard to see. Catalog : 1— 3rd Pressing 24 Jan — Track A4 ends in a locked runout groove.

The sound it contains, also continues on the run-in groove of side B. Catalog LP and LP. The catalog numbers are etched into the vinyl close to the centre —The cover is holographic, and it is a picture disc as shown in the photos below.

There are counterfeit copies floating around, so make sure you look at the photos. Legit copies that are new will have the sticker, and the counterfeit copies have are scans rather than actually being holographic. Such a pitty i can not post any pictures here. Would love to find out what exactly i boughy. If you email photos to toolvinyl gmail.

All those bootlegs make me suspicious about the listed offers online. So here is what this offer is giving:. But on the pictures the barcode and the number are pretty sharp. The seller took some photos of the sleeves. There is no missing out, we have the Eye, the Blue Man, the Doctor and the sleeve with the 36? Is this how it was stuck on the original one? The other thing is the code that is engraved in all vinyl.

I bought an undertow vinyl with a grey UK promo sleeve. And the vinyl is red and black marble. One would think that since every copy bears a unique number that all copies should share equal value, but collectors are particularly interested in finding copies that have low numbers.

Pricing can vary dramatically for numbered copies of The Beatles depending on the number. The Beatles was sold with numbered copies in a number of different countries besides the U. The cover and label of this particular U. Apparently, the album was originally intended to be released without the song, but it was added at the last minute and new stampers were made. First pressings of the album, issued in both mono and stereo, list no song titles anywhere on the cover.

The back cover of the album shows pictures of 25 other Vee Jay albums, but has no information about either the group or the contents of the record. About the same time, Vee Jay also released a few copies of the album that had blank white back covers. This may have been a production error.

As Vee Jay pressed about 50 mono records for every one in stereo, the stereo version is a relative bargain. While Introducing the Beatles is the most heavily counterfeited album of all time , most of the counterfeit copies of this album are of later pressings. We are not aware of counterfeit copies of either the ad back or blank back versions of this album.

Be aware that due to the large number of counterfeits of this album, most people believe that Introducing the Beatles is actually a fairly common album. The album was initially released in March, in the UK on the Parlophone label, and first pressings were available only in mono. A month later, stereo copies were released, and like the mono, the label used on the record was the then-current black Parlophone label with gold print.

Shortly after the stereo release, Parolophone changed their label artwork to a black label with yellow and white print, and that label was used for all subsequent pressings of the album through At the time, mono records typically outsold stereo pressings by a ratio of nearly , as most buyers did not own stereo phonographs.

While mono pressings sold fairly well when the album was first released, stereo copies did not, and it is estimated that fewer than stereo copies were sold with the black and gold label before Parlophone changed label designs, making the first-issue stereo pressings quite rare, given that the album eventually sold millions of copies.

Mono copies turn up for sale fairly frequently, but stereo copies are much harder to find and much more expensive. Under tax laws in effect in the s, record labels could charge recording, pressing and distribution costs against profits. Tiger Lily was apparently set up for the express purpose of not making money.

The label solicited tapes from a variety of artists who thought they might get a record deal. Ordinarily, when record companies solicit tapes, they listen to them, find artists the like, sign them to a contract, and put them into a studio to record an album. Tiger Lily Records apparently took a different approach. They asked for tapes, cut records from them and released the albums without any effort to promote them and often without even informing the artists and certainly without paying them their due royalties.

Most of the titles were pressed in small runs of a few hundred copies, and then then were deleted from the catalog. Everything released by the label is collectible to some degree, but some records are harder to find and contain better music than others. Stonewall was an album by a hard rock group if the same name, and the album compares favorably to a number of better-known hard rock acts of the era, such as Grand Funk Railroad or Cream.

This particular version of the White Album is the version that Parlophone Records in Britain made especially for export. In , the Beatles created their own record label, Apple Records.

All of their records from that point on, in both the UK and the rest of the world, were intended to be issued on that label and in most countries, the White Album appeared with green Apple labels.

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